In the exceptional latest from Savaş (White on White), an idealistic young couple flounders in their half-hearted effort to put down roots in an unnamed city far from their respective homelands. Asya, who makes “joyful and naïve” documentaries about everyday life, met fellow international student Manu in college. Since graduation, they’ve been renting a small, dark apartment in the city, and now decide they’re ready to buy their own place. They visit a range of listings, including a converted factory, a house in the suburbs, and an apartment off of an alley, the last of which they conclude is perfect except for the layout, which feels wrong in a way they can’t articulate. Though they want to step further into adulthood, they also want to preserve their youth, and they chafe at the willful conformity of their peers. Their friend Ravi, who patches together a living with tutoring gigs and collects old photographs, is a kindred spirit. So is their elderly neighbor, Tereza, with whom they read poetry. Savaş captures the singularity of the couple’s logic in lucid prose, and the real estate search gives shape to the spare and subtle narrative, as the couple’s indecisiveness and their affection for Ravi and Tereza keep readers guessing as to what they’ll do. It’s a masterpiece. Agent: Sarah Bowlin, Aevitas Creative Management. (July)

Reviewed on 05/10/2024 | Details & Permalink

Moreno-Garcia (Silver Nitrate) returns to the world of moviemaking for this layered if schematic story of a Mexico City receptionist whose exotic looks land her the lead role in the eponymous 1950s Hollywood epic. Vera Larios has no professional acting experience, which infuriates costar Nancy Hartley, who was certain the role was hers and that it would have been her big break. While Nancy schemes to knock Vera out of the picture, Moreno-Garcia unfurls a parallel story line in which the biblical Salome navigates power struggles in her uncle Herod’s court through stratagems not unlike those wielded by Vera and Nancy. Moreno-Garcia shines a light on the racial and gender politics of postwar Hollywood and intertwines her tale with enough real history to please Tinseltown obsessives, though her stock characters are straight out of central casting: in addition to the vulnerable ingenue and bitter bit player, there are a vain male lead, martinet director, and harried screenwriter. This isn’t the author’s best. Agent: Eddie Schneider, JABberwocky Literary. (Aug.)

Reviewed on 05/10/2024 | Details & Permalink

Reyes debuts with a scintillating collection of stories in which Salvadoran characters reckon with new technologies and the evils of capitalism. The wry opener, “He Eats His Own,” follows a finance broker in Los Angeles who pays his relatives in San Salvador to grow and ship mangoes for him to eat, even as their work puts them in the crosshairs of gang violence­. In the pitch perfect “Try Again,” a bisexual Salvadoran American man pays a biotech company to transplant his late father’s brain tissue into a robot. After being rejected by his father because of his sexuality, he finally finds the acceptance he craved via the AI-powered robot. In “Self-Made Man,” one of the more devastating entries, a researcher uncovers a secret U.S. government program to create manual laborers from the reanimated corpses of undocumented Central Americans. The volume is shot through with genuine pathos and astute social commentary, and Reyes shifts effortlessly from absurdism to satire to sci-fi. These dynamic tales herald the arrival of a promising new talent. Agent: Aemilia Phillips, Stuart Krichevsky Literary. (Aug.)

Reviewed on 05/10/2024 | Details & Permalink

Lindley’s enticing first novel explores the seamy side of the antiquities market. Soon after a fisherman reels in a stunning marble figure near a small Greek island, Dr. Elizabeth Clarke, a 30-something American specialist in female Hellenistic statues, arrives to assess it. The nude form, which is missing two arms, could be the perfect focal point at the Los Angeles museum where she’s an assistant curator. Her boss, William, pressures her to make the acquisition, claiming that if she fails, her “coldness will be to blame.” The stress exacerbates her chronic migraines, but her mood improves after she meets her translator, Niko, and his wife, Theo. Eager to connect with the enchanting Theo, Elizabeth pretends to understand her elliptical statement about the statue being“complicit” in its “un-freedom.” Elizabeth loses herself to the island and the couple, imagining they want to sleep with her and failing to grasp Theo’s much different ideas about what should be done with the statue (the details come out later). Things take a turn when one of the statue’s missing arms mysteriously appears and vandals begin breaking into local museums. Lindley expertly dials up Elizabeth’s paranoia and keeps the reader guessing as her mission’s true purpose is thrown into question. This one’s hard to shake. (July)

Reviewed on 05/10/2024 | Details & Permalink

In Zaher’s hypnotic debut, an obsessive young Palestinian woman flees her oppressive homeland for Manhattan and employs increasingly unorthodox methods at the private school where she’s hired to teach English. The unnamed narrator, whose parents died years earlier in a car accident, lives comfortably on an allowance from their estate. She fills her free time with elaborate ablutions and stays up late cleaning and organizing her apartment, to the point that she’s so exhausted during class she can’t stay on her feet. She disregards the standard curriculum in favor of harsh life lessons (love is akin to being “taken hostage”) and gives her students bizarre assignments such as extracting confessions from their family members. She chalks up her strange behavior to a coin she remembers swallowing as a child, which she imagines remains lodged in her back. Zaher’s writing is deeply arresting, especially when her narrator is energized by her newfound sense of self-possession in New York, where she walks the streets wearing a “violent” and “sexual” perfume and carries a Birkin bag, which thrillingly transforms her into an object of desire (“I came from a place where a bag could never have power, where only violence spoke. And suddenly I had something that others wanted to possess, I was a woman who others wanted to embody”). It’s a tour de force. Agent: Monika Woods, Triangle House. (July)

Reviewed on 05/10/2024 | Details & Permalink

Lynn (the Grecian Women series) frames this vibrant retelling of the myth of Demeter and Persephone as “the story of a mother’s loss.” After Demeter is raped by her brother Zeus, she gives birth to twins Core and Iacchus. While Iacchus emulates his father’s violence, Core becomes the center of her mother’s world. Zeus again devastates Demeter by killing her mortal lover, Iaison, with a lightning bolt, prompting Demeter to take Core from Olympus to her home on Earth. There, Demeter allows Core to roam freely, leading to her abduction by the love-starved Hades, who’d misinterpreted Core’s friendliness to him during a brief encounter centuries earlier. Lynn impresses with her ability to make her divine characters come across both as impossibly powerful and deeply vulnerable, portraying Demeter’s anguish at the loss of Core, who renames herself Persephone in the underworld, and Core’s despair over being separated from the open air and greenery she’d reveled in. This stands out from the pack of feminist takes on Greek mythology. (July)

Reviewed on 05/10/2024 | Details & Permalink

This superb work of autofiction from Xi (1937–2022), which was originally published in 1992, melds an account of the author’s breast cancer with a reflection on the subjective nature of translation. While showering one day, Xi discovers a lump in her breast, which she initially takes to be a hive, though she’s soon diagnosed with breast cancer. She checks into the hospital for a mastectomy, and while awaiting the procedure, she compares three translations of Flaubert’s Madame Bovary—two in English and one in Chinese—and is struck by their varying interpretations of the novel. In Xi’s hands, the act of translation becomes a metaphor for the work of doctors and vice versa, as she considers that even though doctors are experts at interpreting the body’s signals, they don’t always reach the same conclusions as to diagnoses or treatments (“Dare I say that it is impossible to have a single, absolute translation, whether now or in the future?”). These insights inform Xi’s own misreading of her body and her consideration of the different types of treatment available—she compares the “benevolent” plant-based Chinese medicine to the “slaughterhouse” of Western surgeries, the latter of which she embraces as her best hope for survival. Xi’s matter-of-fact prose and in-depth analysis are deeply satisfying. This is a must. (July)

Reviewed on 05/10/2024 | Details & Permalink

Thompson debuts with the moody and moving chronicle of a complicated friendship between two young men. In the first sentence, the reader learns from Theron, the 30-something narrator, that his friend Jake recently died in a car accident. Theron then rewinds to 2004, when he’s 15 and he follows his father from Los Angeles to New Hampshire after his parents split. He gets a job at the local hardware store, where Jake, who’s two years older, is the manager. Their meeting is a “sea change” for Theron, who feels a “spike of desire” for Jake as they smoke weed and bond over their love of Metallica. From there, Theron’s obsession with Jake propels the nonlinear narrative as it touches down at different points in their timeline—there’s heartache when Jake bails on plans to visit him in Los Angeles in 2009, and excitement when they finally reunite in New York City a few years later, where Theron has recently graduated from NYU and is in an on-and-off relationship with his girlfriend. Thompson skillfully captures Theron’s vulnerability, especially when the two men finally act on their mutual attraction and later when Theron deals with the impact of Jake’s death. This marks Thompson as a writer to watch. Agent: Duvall Osteen, UTA. (July)

Reviewed on 05/10/2024 | Details & Permalink

Journalist Heglar’s spirited debut novel layers a story of climate change activism in 2014 Mississippi with a parallel narrative of the 1950s civil rights movement. Corrine, a 20-year-old Oberlin undergrad from historic Port Gibson, Miss., is unnerved by scientists’ predictions of global catastrophe due to climate change. After Corrine’s older brother, Cameron, dies in an accident aboard an oil tanker on the Mississippi River, she grows disenchanted with campus climate demonstrations and wishes she could do something meaningful to honor his memory. A direct action would risk upsetting her grandmother, Cora, who’s not only grieving her grandson’s death but also nursing wounds from her girlhood, when she was at the center of protests over the integration of the Nashville Public School System. When Cora learns Corrine is plotting to trespass on a bridge and mount a protest banner, memories of death threats, school bombings, and hostile classmates come flooding back. Though the characters are underdeveloped, Heglar writes intriguingly of the long trail of injustice faced by subsequent generations of Americans. Readers of message-driven fiction will appreciate this. (May)

Reviewed on 05/10/2024 | Details & Permalink

In Ward’s engrossing latest (after The Lifeguards), three American sisters confront their family’s complicated dynamics on the eve of the youngest’s second wedding. Miami school librarian Sylvie Peacock has been on her own since her husband died 10 years earlier, but when she meets wealthy Englishman Simon Rampling on an app for book lovers, she’s charmed by his kindness and passion for bird photography, and swept off her feet by stories of his family castle in northern England. Though part of her feels like she’s betraying her late husband, she accepts his marriage proposal after a mere three months of dating. Her glamorous oldest sister, Cleo, learns shortly before traveling to England for the wedding that Simon derived his wealth from a divorce, and itches to tell Sylvie the truth. Another narrative thread involves middle sister Emma, who’s risked her own family’s well-being by sinking their savings into a pyramid scheme. Much drama ensues at Simon’s castle when the sisters converge along with their narcissistic mother, Donna. Ward’s character work is top-notch, conveying Cleo’s savior complex and Donna’s negative impact on her children. This is a cut above the standard for women’s fiction. Agent: Michelle Tessler, Tessler Literary. (May)

Reviewed on 05/10/2024 | Details & Permalink